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Chinatown (BFI Film Classics), by Mick Eaton
Download Chinatown (BFI Film Classics), by Mick Eaton
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This study analyzes Chinatown in the context of the figure of the detective in literature and film from Sophocles to Edgar Allan Poe and Alfred Hitchcock.
- Sales Rank: #650447 in Books
- Published on: 1997-12-27
- Released on: 2008-01-22
- Original language: English
- Number of items: 1
- Dimensions: 7.56" h x .22" w x 5.27" l, .33 pounds
- Binding: Paperback
- 8 pages
Amazon.com Review
How did an avant-garde director, a script doctor with only one major screenplay to his credit, the producer of The Odd Couple and Love Story, and a lead performer despised by the Hollywood establishment come together to make one of the greatest and most enduring films of the 1970s? Chinatown, directed by Roman Polanski, written by Robert Towne, produced by Robert Evans, and starring Jack Nicholson, is a lush, mysterious, thrilling work whose influence still resonates in movies as different as L.A. Confidential and The Big Lebowski.
This little book, part of a remarkable series published by the British Film Institute, guides you through Chinatown's production history. Author Michael Eaton also summarizes its complex plot and offers intriguing interpretations. Eaton is particularly interested in the symbolism of the movie's title, which he sees as having multiple meanings: it is a state of mind, an image of the world, even a metaphor for filmmaking itself. Breaking with critical tradition, he credits Evans--not Polanski, Towne, or Nicholson--as the major creative force behind the movie. Breaking with interpretative tradition, Eaton displays sympathy for Jake Gittes, the film's hero, characterizing him as a man trapped in a detective plot turned on its head, a world where "it is better not to act, much better not to know" the truth. --Raphael Shargel
From the Back Cover
Directed in 1974 by Roman Polanski from a script by Robert Towne, Chinatown is a brilliant reworking of film noir set in a drought-stricken Los Angeles of the 1930s. Jack Nicholson, in one of his most celebrated roles, stars as a Private Eye who, despite his best intentions, can only bring disaster upon the enigmatic woman he has come to love. The reassuringly familiar conventions of the thriller are dissected to expose a chaos of political corruption and violent sexuality lurking beneath a glittering, sun-drenched surface. Michael Eaton analyses Chinatown in the context of the figure of the detective in literature and film from Sophocles to Edgar Allan Poe and Alfred Hitchcock. In a searching detailed and entirely absorbing account of the narrative development and visual style of Chinatown, Eaton uncovers both the film's relationship to the pessimism of American cinema in the 1970s and its veritably mythical structure and power.
About the Author
Michael Eaton is a screenwriter and playwright. His screen credits include Fellow Traveller, Signs and Wonders, Shoot to Kill and Why Lockerbie?
Most helpful customer reviews
26 of 31 people found the following review helpful.
A great film inspires a fair book
By The Man in the Hathaway Shirt
I wish I could say Michael Eaton's Chinatown is required reading for film buffs, or for people who love the movie as I do, but I can't. It's not a bad book by any means, but I'm somewhat ambivalent about recommending it. The author deals in great detail with some aspects of the work in great (too much?) detail, while glossing or ignoring other important aspects of the film and why it is a masterpiece (and coincidentally why its ill-advised sequel failed). He also gets bogged down on some trivial coincidences in which he sees all too much meaning, as well as his Freudian interpretations. (What is it with film "scholars" and their "Freudianization" of everything?) But most of all the structure of the book is just flat-footed and monotonous, with too much scene recitation and too little insight. It reads more like a set of Cliff Notes than anything else.
1 of 1 people found the following review helpful.
Chinatown As A State Of Mind
By Amazon Customer
A perfect analysis of the best of the modern film noir classics, and an ideal companion to Nicholson's greatest movie and performance. A book for the literate filmgoer who also appreciates academic excellence.
1 of 1 people found the following review helpful.
Terrific
By b.t. moose
The BFI Series is a pleasure - this is one of the best.
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