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The Norton Anthology of Western Literature, Vol. 1From W. W. Norton & Company
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A classic, reimagined.
A completely new editorial team, dozens of new selections and translations, all-new introductions and headnotes, hundreds of illustrations, redesigned maps and timelines, and a completely revamped media program all add up to the most exciting, accessible, and teachable version of “the Norton” ever published.- Sales Rank: #14174 in Books
- Published on: 2014-02-06
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x 2.40" w x 6.10" l, 4.10 pounds
- Binding: Paperback
- 2928 pages
About the Author
Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. He is the author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy (2010), Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006), and Stage Fright: Modernism, Anti-Theatricality, and Drama (2002). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), The Communist Manifesto and Other Writings (2005), and Modern Drama: Critical Concepts (2007). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (2006), The Norton Anthology of World Literature, Third Edition (2012), and The Norton Anthology of Western Literature, Ninth Edition (2014).
Suzanne Conklin Akbari is Professor of English and Medieval Studies at the University of Toronto. Her books include Seeing Through the Veil: Optical Theory and Medieval Allegory (2004) and Idols in the East: European Representations of Islam and the Orient, 1100–1450 (2009). Among her edited volumes are Marco Polo and the Encounter of East and West (2008), co-edited with Amilcare Iannucci, and the Oxford Handbook to Chaucer (2013).
Wiebke Denecke is Associate Professor of Chinese, Japanese, and Comparative Literature at Boston University. She is the author of two books, The Dynamics of Masters Literature: Early Chinese Thought from Confucius to Han Feizi (2010) and Classical World Literatures: Sino-Japanese and Greco-Roman Comparisons (forthcoming).
Barbara Fuchs is Professor of Spanish and English at UCLA, where she also directs the Center for Seventeenth- and Eighteenth-Century Studies and the William A. Clark Memorial Library. She is the author of Mimesis and Empire: The New World, Islam, and the Construction of European Identities (2001), Passing for Spain: Cervantes and the Fictions of Identity (2003), Romance (2004), and Exotic Nation: Maurophilia and the Construction of Early Modern Spain (2009). She is also a co-editor, with Aaron Ilika, of two captivity plays by Miguel de Cervantes: The Bagnios of Algiers and The Great Sultana (2009).
Caroline Levine is Professor of English at the University of Wisconsin–Madison. She has written two books: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007). She is co-director of the Andrew Mellon World Literature(s) Workshop at the University of Wisconsin.
Pericles Lewis is the Founding President and Professor of Humanities at the Yale-NUS College in Singapore. He is the author of three books―Modernism, Nationalism, and the Novel (2000), The Cambridge Introduction to Modernism (2007), and Religious Experience and the Modernist Novel (2010)―and editor of The Cambridge Companion to European Modernism (2011). He is the founder and editor of The Modernism Lab, a virtual space for collaborative research on modernism.
Emily Wilson is Associate Professor of Classical Studies at the University of Pennsylvania. She is the author of Mocked to Death: Tragic Overliving from Sophocles to Milton (2004) and The Death of Socrates: Hero, Villain, Chatterbox, Saint (2007), as well as the translator of Six Tragedies of Seneca (2010).
Most helpful customer reviews
10 of 10 people found the following review helpful.
Get The 8th Instead
By Wred Fright
I had to use this anthology in a course when Norton changed editions (from 8th to 9th). The previous edition (the 8th) is actually a bit superior, so I would recommend it over this one. This edition (the 9th) has much of the same material, so it still is quite worthwhile, but some of the changes were not improvements. In particular, this edition does not include Aristotle, Petronius, Lucian, the fabliaux section, the Medieval women section, and the carpe diem poetry section. Also, the introductions and overviews were generally better in the 8th as they were more informative and thorough. Many of the introductions in the 9th seem overly concerned with the influence of Islam on European culture, an important topic to be sure but likely not as important as to merit the space devoted to it, as space in an anthology is always precious. Furthermore, some of the additions were odd such as including Ferdowsi (since I was teaching a European literature course, material from the Middle East and Asia was not tremendously helpful). Good additions include Lazarillo de Tormes and some fables by Aesop, but, overall, I would recommend getting the 8th edition if you have an option.
2 of 2 people found the following review helpful.
Not An Improvement
By Selene
I absolutely agree with Fred Wright.
These revised eds ought to be obliged to say what they've left out, as well as what they've added. The risk with this sort of venture is that a sort of competitiveness comes in: editing these vols is very prestigious (and lucrative), and the new eds start competing with the older ones, adding more recondite stuff, less accessible translations (check out the new Gilgamesh), and bossy little "clusters" (as if teachers were incapable of arranging their own courses), while ditching things which are obvious cornerstones of the "Western Tradition": Aeneid Book VI; Aristotle's Poetics. (It's almost incredible that those went!) Where the plates used to show the gold mask traditionally associated with Agamemnon and a tablet from the longest surviving text of Gilgamesh, we now have some obscure Egyptian figures and writing not represented in the Anthology. Meanwhile, all the bad decisions of Ed. 8 - the uneven Lombardo translations, the ugly Musa version of Dante - are all still there. And the map of the Roman Empire is still labelled in Latin.
2 of 2 people found the following review helpful.
I expect that when I rent a text book it ...
By john peragine
I expect that when I rent a text book it will be a little beat up and have some writing or highlighting in it, but I do not expect it to be filthy.
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