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An unparalleled reference on Islamic arts and crafts that connects cultural history with modern practice
The book covers a range of artworks and media from intricate geometric drawing, decorative Kufic calligraphy, and Persian miniature painting to ceramics, wood parquetry, mosaics, and glassblowing. Common tools and materials, such as gesso panels, gilding, and brush and wasli paper are presented along with information on their historical significance. Each chapter introduces a principle, tool, or technique along with examples of masterworks found across the Islamic world before providing a fully illustrated step-by-step guide to creating specific designs.
1000+ illustrations in color and black and white- Sales Rank: #1185458 in Books
- Published on: 2013-09-23
- Original language: English
- Number of items: 1
- Dimensions: .99" h x .13" w x .90" l, 3.40 pounds
- Binding: Hardcover
- 288 pages
Review
“An excellent resource for art students and those interested in learning how to select the necessary tools and how to create traditional Islamic art. . . . Recommended.” (Choice)
“Approach[s] Islamic art through a thorough study of the craft and process by which it is created, with significant attention given to the culture and history behind relevant artistic materials, styles, motifs, and methods. . . . The depth of these discussions will prove invaluable to many students. . . . The level of detail is nothing short of revelatory. . . . Enthusiastically recommended.” (Library Journal)
“High quality and designed to be beautiful.” (ProtoView)
About the Author
Khaled Azzam is Director of the Prince's School of Traditional Arts in London. The institute was founded in London in 2004 by HRH The Prince of Wales to develop the Visual Islamic and Traditional Arts Programme pioneered by Professor Keith Critchlow.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A beautiful book about one of the world's great art traditions
By Malcolm Schosha
Arts and Crafts of Islamic Lands is a beautiful coffee table book intended to showcase the Islamic arts, the Prince's School of Traditional Arts, and the high quality of the School's excellent teachers. In addition to being a beautiful book, it also contains much substantial information that is well worth studying by artists who wish to develop a better technical understanding of how traditional Islamic artists designed and create their work. A third of the book is taken up with a monograph by Paul Marchant and Jonathan Horning on the geometry that underlies Islamic art.
I found Adam Williamson's contribution on Islimi (arabesques) to be particularly helpful, and I wish that section had been longer than it was. Williamson wrote a very systematic and clear presentation of the subject, which was a model of helpfulness. Also, unlike the contributions by many of the other teachers to this book, he avoided any hint of pitching Islam to the Unbelievers.
In many of the essays that constitute this book, Islamic art is presented in the context of the (so called) Perennial Philosophy. I have the impression that Perennial Philosophy, in its Islamic version, is the official doctrine that underlies the thinking and teaching at Prince's School of Traditional Arts. Therefore, those who study there should be prepared, and should expect that from its teachers. Expect it also in many of this book's key essays. Some readers may like that about the book, but I do not.
Taken all around, it is a beautiful book on a great subject, and I am grateful that we have it.
0 of 0 people found the following review helpful.
love it!
By mira250
Wow!!!! love it!!!! ....soooo beautiful...so educational and informative!!!! As an artist, I would like to try and experiment on Islamic geometric designs...and some of the techniques in the book. I have been to Morocco last year and now I'm so enamored with their art and crafts.
0 of 0 people found the following review helpful.
Superb
By Kat
Absolutely fantastic book. Full of superb artwork and excellent information on history and technique. For those of us who always wanted to study at the PSTA but couldn't afford to live in London for a year... Highly recommended.
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