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Winner of the Tony Award for Best Play, nominated for the Pulitzer Prize for Drama, and soon to be back on Broadway in a revival directed by the Lion King's Julie Taymor, starring Clive Owen
"A brilliant play of ideas… a visionary work that bridges the history and culture of two worlds."—Frank Rich, New York Times
Based on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government—and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive—and as elusive—as a butterfly.
How could he have known that his true love was, in fact, a spy for the Chinese government—and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.
M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes—and the shadows we cast around our most cherished illusions.
The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.
- Sales Rank: #304473 in Books
- Brand: Brand: Dramatist's
- Published on: 1998-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.50" w x .50" l, .25 pounds
- Binding: Paperback
- 72 pages
- Used Book in Good Condition
Review
"A brilliant play of ideas … a visionary work that bridges the history and culture of two worlds."—Frank Rich, New York Times
"Audaciously imaginative … big in conception and theme, David Henry Hwang joins the first string of American playwrights."—Variety
"Just when you've seen every possible coupling, M. Butterfly presents one of the most provocative and touching of all."—USA Today
"Hwang has something to say and an original, audacious way of saying it. A rarity on Broadway."—Edwin Wilson, Wall Street Journal
From the Inside Flap
John Lithgow and B. D. Wong recreate their original roles from the Tony Award-winning production of M. Butterfly. Inspired by an actual espionage scandal, a French diplomat discovers the startling truth about his Chinese mistress.
An L.A. Theatre Works full-cast performance starring John Lithgow and B.D. Wong alongside Margaret Cho, David Dukes, Joanna Frank, Arye Gross and Kathryn Layng.
About the Author
David Henry Hwang is an acclaimed playwright, screenwriter, and librettist. He won the 1988 Tony Award for M. Butterfly. He sits on the boards of the Dramatists Guild, Young Playwrights Inc., and the Museum Of Chinese in the Americas (MOCA). He has been named a Fellow of United States Artists and a Ford Foundation Art of Change Fellow. He currently writes for and produces Showtime's The Affair, and is on the Playwriting Faculty of the Columbia University School of the Arts Theatre Program.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Truth and Illusion
By Gary F. Taylor
Written by David Henry Hwang, M. BUTTERFLY opened on Broadway in 1988 and played over seven hundred performances before closing in 1990.
Casting is demanding. The play requires four actors, one of whom must be Asian, sing well, and convincing impersonate a woman; three women; and three male dancers who can perform traditional Chinese theatre dance. The Asian actor and one of the women appear nude in the play, and while the woman’s nudity may be more implied than literal, it is difficult to imagine how the male nudity (which is briefly frontal) can be avoided. The set is equally demanding. The play is written in three acts. Each act contains multiple scenes that occur in different locations at different points between 1966 and 1988, and the set must be able to support rapid shifts in time and place.
M. BUTTERFLY is an extremely complex script that operates on several different levels. In one sense, it is a view of the culture clash between east and west; in another sense, it makes a statement on gender roles and the perception of gender, and the multiple ways in which gender can be exploited. The play draws heavily from the Puccini opera MADAME BUTTERFLY, which tells the story of a Japanese geisha who commits suicide when her American husband abandons her, but the play ultimately inverts these roles. The play also draws heavily from the espionage scandal of real-life French diplomat Bernard Boursicot and his lover, Chinese opera singer Shi Pei Pu, who used their relationship to pass secret information to the Chinese government during the Vietnam War.
It is difficult to discuss the play without revealing the plot devices which make the play so intriguing. Although the espionage element drives the plot, the play is actually more concerned with the way in which people deceive themselves about each other, and how that delusion can operate in even the most physically intimate relationships. We are not always who we think we are, and the people around us are not always who they seem to be. Given the difficulties of casting and set, I think the play is very unlikely to be seen in a community theatre or educational (college, university) theatre; it requires access to a talent pool that few such theatres have.
Plays are written to be seen, not read, and M. BUTTERFLY is a case in point. It is very, very difficult to read this script and imagine how it was staged in your head. Act One reads rather slow, and Act Two and Three seem better written in a literary sense, but this does not necessarily have a relation to how the script actually performs in front a live audience. I think this is a script best left to people who are knowledgeable about theatre. Recommended even so.
GFT, Amazon Reviewer
1 of 1 people found the following review helpful.
I really loved everything about this play
By Amazon Customer
I really loved everything about this play. The absurdity of it coupled with the fact that it was based on real events. How the play write tied it in with an existing opera to further depict the psychology behind why the protagonist fell for the antagonist.
0 of 0 people found the following review helpful.
Pained Love
By Ana Mardoll
M. Butterfly / 0-822-20712-5
No doubt you've heard the story of the man who was married to another man, but claimed to have mistakenly thought that his "wife" was a woman. In this incredible drama, Hwang takes this real life story, often distilled into a joke or a bit of trivia, and creates a compelling drama. He refuses easy answers here, noting that the thing people *really* want to ask is "Did he or didn't he know?" The novelty of the situation shocks us, and we want to hear the details - partly to satisfy a vicarious desire, and partly to reassure ourselves that such deception could not happen to us.
However, Hwang turns the question aside as meaningless and points out that the underlying deception - that of a false lover - is one that we've all seen countless times. The gender of the participants is less important than their feelings and motivations. Whatever else may have occurred, he argues, a human being was used in a terrible way, and his heart was destroyed in the process. Everything else in immaterial.
~ Ana Mardoll
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