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This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax.
The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dante's unresolved conflicts.
Robert Turner's illustrations include detailed maps of Italy and several of its regions, clearly labeled diagrams of the cosmos and the structure of Hell, and eight line drawings illustrating objects and places mentioned in the poem. With its exceptionally high standard of typography and design, the Durling-Martinez Inferno offers readers a solid cornerstone for any home library. It will set the standard for years to come.
- Sales Rank: #1430383 in Books
- Published on: 1996-02-29
- Original language: English
- Number of items: 1
- Dimensions: 6.37" h x 1.93" w x 9.50" l,
- Binding: Hardcover
- 672 pages
From Library Journal
If a recent spate of new translations is any evidence, Dante remains as popular as ever with the general reading public. Durling's new verse translation of the Inferno joins recent versions by Robert Pinsky (LJ 1/93) and Mark Musa (LJ 3/1/95). While Durling's translation (with Italian on the facing page) does not use Dante's rhyme or line divisions, it captures the metrical rhythm of the original. Similarly, his rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible. Supplemented with an introduction, useful notes, and appendixes, this version, soon to be joined by Purgatorio and Paradiso, can be recommended to the general reader. In a new reader's guide to the Divine Comedy, Gallagher, a Catholic priest as well as a poet and scholar, presents the Comedy canto by canto in a series of mini-essays that discuss content, themes, characters, major allusions, and religious doctrines, particularly from the perspective of Dante as a Christian. For a more scholarly commentary on Dante's language and sources, one should still consult Charles Singleton's translation (The Divine Comedy, 6 vols., Princeton Univ., 1970-75); nevertheless, Gallagher's thorough, lucid, and accessible guide is a good starting point for the general reader.?Thomas L. Cooksey, Armstrong State Coll., Savannah, Ga.
Copyright 1996 Reed Business Information, Inc.
Review
"This new edition of Inferno is distinctly user-friendly....Serious students--in or out of the classroom--who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs."--The Christian Science Monitor
"A useful volume for students and first-time visitors to Dante's cosmos."--Publishers Weekly
"[Durling's] rendering of Dante's diction is literal and accurate, conveying the tone and feel while remaining accessible."--Library Journal
"The prose translation, carefully arranged on the page to correspond to the format of the Italian verses, follows the original very closely, and is exceptionally successful in conveying the texture of Dante's poem. The introduction is valuable in its own right; the notes, many of them brief essays, promote the reader's active engagement in the quest for meaning, opening up the text with a treasure of "'formation and interpretation."--Sara Sturm-Maddox, University of Massachusetts, Amherst
"'Long study and great love'...have conditioned Durling's and Martinez' new Inferno translation and commentary, with the splendid results that only sustained scholarly work and exceptional dedication can bring. The volume is not only impressive in content--an elegant, accurate, and highly readable prose rendering of Dante's verse, clear and concise notes, useful illustrative maps and figures, rich commentary on central issues, a bibliography thoughtfully put together from the best of Italian and American Dante criticism--it is also a materially beautiful book whose typography and design are a genuine artistic contribution."--Rebecca West, University of Chicago
"A joy to read. The Introduction offers a wealth of information on the poet's life and times, and the way these helped to shape Dante's poetic masterpiece. Durling's prose translation is trenchant, going straight to the heart of the Italian text on the facing page. In their notes, Durling and Martinez provide the reader with a wealth of essential explanations and critical insights, quite unparalleled in English. For generations to come, this will be the Dante student's 'bible'."--John A. Scott, Professor of Italian, School of European Languages, University of Western Australia
"The Durling-Martinez Inferno will prove a worthy successor to the much-loved and long-lived Inferno of J.D. Sinclair. The translation is carefully calculated to keep the reader abreast, step by step, with Dante's Italian; the annotation, distilled from vast reserves of scholarly and commentative knowledge, succeeds simply and splendidly in elucidating the poem. This volume should please all publics, become the Dante of choice for the English-speaking world."--David J. Wallace, Frenzel Chair in Medieval Studies, University of Minnesota
Language Notes
Text: English (translation)
Original Language: Italian
Most helpful customer reviews
19 of 20 people found the following review helpful.
Beautiful prose version of Dante's extraordinary poem
By A Customer
I feel so enthusiastic about this book that I want to tell everybody about it. This translation is unrhymed; it is in prose; and it follow's Dante's syntax and meaning closely. If you know a little Italian, you can use the text (it is a bilingual edition) as a crib to read Dante in the original, which is a tremendously moving experience. Dante's Hell is full of striking characters who still feel the passions they experienced during their life in history; only now their identity is even more sharply defined because they are living in eternity. The narrator travelling through Hell, guided by Virgil, is filled with fear, pity and anguish. Dante's writing is extraordinarily beautiful and supple.
7 of 8 people found the following review helpful.
great translation, great notes
By J. Travis
The Durling-Martinez edition is the one used in my college Dante class. Together with their translation of Purgatorio (their edition of Paradiso apparently still in progress), the two works have great endnotes for every canto of the poem, good appendices and Purgatorio has a series of 'intercantica' notes which refer the reader to all the parallels between the two works, so you don't have to remember that the Gates of Hell and the Gates of Purgatory are found in Canto 9 of their respective works.
I wrote this review because the top reviews for this edition were all in fact for other editions, and this one definitely deserves its due. It may be more expensive than Mandelbaum's paperback, but its worth it. The print is larger, the language clearer, the notes more useful. Try it out.
15 of 21 people found the following review helpful.
A Beautiful Translation and Informative Endnotes
By Daniel R. Sanderman
Dante's _Inferno_ is truly one of the most fascinating and riveting epic poems of all time. This edition of the _Inferno_, translated by Durling Martinez, is wonderful, jam-packed with all sorts of extras that lend itself to study and careful examination. The Italian verse and English prose translation mirror each other on each page and Martinez's translation is extremely user-friendly, allowing the reader to get caught up in the emotion of Dante's powerful masterpiece without trying to observe the strict meter requirements of the original.
In addition to the Italian text, Martinez provides copious amounts of end notes to each Canto. The only shame is that they are presented as end notes and not as footnotes, forcing the reader to thumb back and forth frequently while reading. Many of them are so interesting and helpful that it would have been useful to be able to access them with more ease. That being said, however, once you see the size and length of the end notes, you will understand while they have been given their own section.
On top of all of the end notes, providing the historical and literary context for all of Dante's allusions, this edition also include illustrations, including one showing the organization of Hell, and sixteen short essays that focus on various aspects of the _Inferno_. At over 650 pages long, this edition is a serious one and is best used for serious study rather than a book to shove in your pocket for pleasure reading. But if you desire to delve into the _Inferno_, this edition is fantastic for its amount of scholarship and user-friendliness. I highly recommend this edition for any fan of Dante and anyone approaching the _Inferno_ for the first time.
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